Scott Kildall and Victoria Scott
Gift Horse (2010) is a large-scale sculpture of the mythological Trojan Horse, which will be presented to the San Jose Museum of Art in a public ceremony during the 01SJ Biennial.
Jay Nelson
The Golden Gate 1 is an electric camper pod. Encased in a fiberglass shell, the pod is a small light weight camper home on wheels complete with a water tank, toilet, stove, cabinets, fold-down table and convertible bed.
Public Design Workshop
The growBot Garden (2010) project is a series of public and participatory workshops that explore the use of emerging technologies in support of local small-scale agriculture.
Constant Dullaart
Dullaart’s telematic performance focuses on juggling contemporary iconography between media and execution styles.
fabric | ch
In 2001, fabric | ch and architect Philippe Rahm jointly set up I-Weather.org, an open source artificial climate based on human metabolism, circadian rhythms and on the medical knowledge of the time about light therapy.
Sheryl Oring
For this project, Sheryl Oring dresses as a 1960s secretary, sets up a portable public office in parks and public squares – complete with a manual typewriter – and types postcards to the United States President.
Chico MacMurtrie (Amorphic Robot Works)
Inflatable Architectural Growth (2010) is the first major robotic outdoor sculpture of American artist Chico MacMurtrie / Amorphic Robot Works using inflatable bodies technology.
Sarah Lowe
invisible infrastructure (2009/1010) is a series that examines components of urban infrastructure that occupy significant physical and visual space but are rendered invisible by their ubiquity.
Camille Scherrer
In Le Monde des Montagnes (The World of Mountains) (2008), Swiss artist Camille Scherrer blended low and high technologies to push story books into an interactive realm. She created a kind of digital fairy tale, enlisting both her background in illustration and new-media art.
Grahame Weinbren
50 Letters (1997-2009) is a series of one minute films that can be shown in any sequence.
Brody Condon
Level Five (working title) is a 3-day live role playing event with 75 players, based on popular self actualization seminars which originated in the West Coast in the early 1970’s.
Rick Prelinger
The Lives of Energy (2010), a feature-length reflective collage film by Rick Prelinger, uses archival images and sounds to reconstruct a history of human interaction with energy. Tracing energy from its pre-human existence to the industrial age and beyond, the film counterposes the persuasions of the past with the limits of the present and the dreams of the future.
Marksearch
Local Motorgraph For the Green Prix, marksearch will create a prototype of the Local Motorgraph, an interactive community conversation billboard that will be towed by their tandem bike.
Blast Theory
A Machine To See With (2010) is a new work by Blast Theory for pedestrians and their mobile phones. Mixing documentary material, stolen thriller cliches and the films of Jean-Luc Godard it invites you to become someone else. Step inside a film as you walk through the city, receiving phone calls.
Bruce Tomb, 2010
Maria del Camino is a love poem to the car and an ode to Her demise; an allegorical piece acknowledging our relationship to the car as a social activator, defining our relationship to cities as well as our individual and collective sense of freedom and adventure, while at the same time reinforcing how we are beholden to and idolize the machine.
Sabrina Raaf
Meandering River (2010) is a sculptural installation inspired by Hans-Henrik Stølum’s1996 article, “River Meandering as a Self-Organization Process,” which described the procedural mathematics that currently enable scientists to predict or reconstruct river morphology.
Peter Foucault and Chris Treggiari
The Mobile Arts Platform (MAP) (2010) is comprised of two large-scale, interactive sculptures that are “activated” by a mobile exhibitions program.
DANM, UC Santa Cruz
The Social-Cost Tracker project (2010) invites participants to reflect the social cost of their consumer decisions through a participatory-media research laboratory.
Scott Kildall and Victoria Scott
In No Matter (2008), Scott Kildall and Victoria Scott used meticulous hand-crafting and three-dimensional computer modeling to give physical form to virtual worlds that speak to our cultural imagination.